# plane of immanence ### Plane of Immanence and Image - If the plane of immanence is, as Deleuze says, "the image thought gives itself of what it means to think, to make use of thought, to find one's bearings in thought," ([[@deleuze_what_1994]], 37) - a kind of shifting "desert" on which concepts are the "intensive ordinates of movement," ([[@deleuze_what_1994]], 41) - then common sense amounts to a coordination of concepts that aspires to transcendence, totalization, and the pretense of organicity. - Referring to classical philosophy, Deleuze terms this image of thought "dogmatic." Rather than submitting to receptivity ("passive synthesis"), the dogmatic image is conceived in advance of empirical vicissitudes and thereby projects itself into the future as an anticipative matrix that turns any encounter into one of recognition. - "Thought is thereby filled with no more than an image of itself, one in which it recognises itself more than it recognises things: this is a finger, this is a table, Good morning Theaetetus." ([[@deleuze_difference_1994]], 138) - Artistic image with specific capacity to dislodge (deterritorialise) the image of thought로 이미지의 정의를 줄여서 들뢰즈는 affective and even effective possibility를 설명한다. ([[@flaxman_brain_2000]], 12) - 그러므로 그의 “image” 정의는 더이상 우리가 “보는”것에 국한 되지 않는다. - neither a representation of an object (recognition) or even a visual impression (sensory bandwidth) - ==이미지는 is a collection of sensations== - A “sensible aggregate” -> “sign” ([[@deleuze_difference_1994]], chapter 3) - 아트의 이미지는 언제나 genetic forces of thinking itself와 이어진다 ## Related Concepts ```dataview LIST FROM [[plane of immanence]] and "References/Concepts" and -"Plans" and -"resources" ``` ## Related References ```dataview LIST FROM [[plane of immanence]] and "References/Readings" and -"Plans" and -"resources" ```