# Dudley Andrew (2013). *André Bazin*. Oxford ; New York: Oxford University Press. > [!INFO] > Type:: [[&]] > Title:: André Bazin > Author(s): [[Authors/Dudley Andrew]] > Year:: 2013 > Tags:: > DOI:: > Citekey:: andrew_andre_2013 > ZoteroURI:: [Open in Zotero: André Bazin](zotero://select/items/@andrew_andre_2013) > ReviewedDate:: [[2022-10-02]] ## Citation ```latex [@andrew_andre_2013] ``` ## Related ```dataview TABLE file.aliases AS "Title" FROM [[@andrew_andre_2013]] and -"Plans" and -"resources" ``` ## Summary 이 글의 목표 “So this edition lets me (and you, if you like) look not just at Bazin from a point well into the twentyfirst century, but also at Bazin when he was discovered and debated in America during the flush of academic film study in the seventies.” (Andrew, 2013, p. x) ## Other Comments > Bergson proclaimed that there are three modes of apprehending the world: perception, rationality, and intuition. At the most basic level is simple and instinctual perception. Our body as object encounters other objects in a field perpetually in flux. Reason, which is a function of memory, organizes perceptions into comprehensible patterns. Intuition, transcending both brute perception and rational organization, reunifies experience that has been fragmented by intelligence. [@andrew_andre_2013, 13] ### Annotation - “The question could be posed that baldly in those days, and the verdict could often go against him, because his belief in “the congenital realism” of photography stood in the way of the massive reformulation of film theory under semiotic, psychoanalytic, and ideological lines.” (Andrew, 2013, p. x) ### Related ```dataview LIST FROM [[@andrew_andre_2013]] and -"Plans" and -"resources" ```