## John Belton (2017). *The Uncanny Nature of the Cinematic Image*. : . > [!INFO] > Type:: [[&]] > Title:: The Uncanny Nature of the Cinematic Image > Author(s): [[John Belton]] > Year:: 2017 > Tags:: > DOI:: 10.1080/17400309.2017.1376866 > Citekey:: belton_uncanny_2017 > ZoteroURI:: [Open in Zotero: The Uncanny Nature of the Cinematic Image](zotero://select/items/@belton_uncanny_2017) > ReviewedDate:: [[2022-07-08]] ## Citation ```latex [@belton_uncanny_2017] ``` ## Related ```dataview TABLE file.aliases AS "Title" FROM [[@belton_uncanny_2017]] and -"Plans" and -"resources" ``` ## Summary - [[@mulvey_death_2006|Laura Mulvey (2006) Death 24x a Second: Stillness and the Moving Image]]글의 시네마는 24 프레임으로 projection되는 (captured and projected) [[uncanny]], ghostly 특수효과이다 라는 주장을 시작으로, 시네마는 the cinematic image, - "blurring of boundaries between the animate and the inaimate, the organic and the inorganic, the moving and the still, and the alive and the dead (2006, 53)" = technological uncanny (53) - [?] [[Roland Barthes|Barthes]]가 말안 영화관 내에서의 경험도 이와 같지 않은가? 꿈속도 아니고 실재도 아닌 상태 hallucinated - [[Laura Mulvey|Mulvey]]에게 있어서 디지털 테크놀로지는 바로 이러한 시네마의 [[uncanny]]를 다시 되돌려 놓는다. ## Other Comments - ### Annotation ### Related ```dataview LIST FROM [[@belton_uncanny_2017]] and -"Plans" and -"resources" ```