## Christian Borch (2014). *Introduction: Why Atmospheres?*. Basel: Birkhäuser. > [!INFO] > Type:: [[&]] > Title:: Introduction: Why Atmospheres? > Author(s): [[Christian Borch]] > Year:: 2014 > Tags:: > DOI:: > Citekey:: borch_introduction_2014 > ZoteroURI:: [Open in Zotero: Introduction: Why Atmospheres?](zotero://select/items/@borch_introduction_2014) > ReviewedDate:: [[2022-12-03]] ## Citation ```latex [@borch_introduction_2014] ``` ## Related ```dataview TABLE file.aliases AS "Title" FROM [[@borch_introduction_2014]] and -"Plans" and -"resources" ``` ## Summary - “atmospheres are experienced emotionally before they are understood intellectually” (Borch, 2014, p. 12) - [[Gernot Böhme|Böhme]]의 경우 건축물과 그 urban에 관해서 [[References/Concepts/Atmosphere]]를 주로 연구했는데 그는 urban에 대해 진행하기 전에 Urban Atmospheres: Charting New Directions for Architecture and Urban Planning에서 general aspects of [[References/Concepts/Atmosphere]]를 정의 한다. - [[References/Concepts/Atmosphere]]는 emanate from things and persons - We can experience it as [[quasi-thing|quasi-objective]] phenomena - Nevertheless **always** bound to particular individuals - “[a]tmospheres are in fact characteristic manifestations of the co-presence of subject and object”. - 이러한 배경을 바탕으로 두가지의 중심적 관찰을 한다. - [[References/Concepts/Atmosphere]]s can be produced and staged - Object (buildings) - city design using lighting to prevent crime - [[References/Concepts/Atmosphere]] emerge as a result of the daily urban life of the inhabitants. (13) - 특별한 삶의 형태가 특별한 도시 [[ambiance|분위기]]를 만들어낸다. - **acoustic life of cities** [[References/Concepts/Atmosphere]]는 도시, 건축 뿐만이 아니라 정치 특히 sensory politics에도 연결된다 → moulding behaviour, olfactory manipulation [[Olafur Eliasson]] → atmospheric artist → questions on how the production of atmospheres relates to temporality (links between atmospheres, ecology, and contemporary capitalist production) Atmospheres, Art, Architecture: A Conversation between [[Gernot Böhme]], [[Christian Borch]], [[Olafur Eliasson]] & [[Juhani Pallasmaa]] [[Gernot Böhme]]: [[References/Concepts/Atmosphere]]는 모더니티에 대한 reaction에서 시작함. 모더니티에서는 orientation은 geometry, technology, and the industrial production of buildings에 towards하고 있다. 철학, 특히 [[phenomenology]] 그리고 그 중에서도 [[Hermann Schmitz]]. [[Hermann Schmitz|Schmitz]]에게 있어서 [[References/Concepts/Atmosphere]]는 **feelings in the air**. 그의 이론은 정신과 의사 [[Hubert Tellenbach]]와 [[Rudolph Otto]]의 numinous의 아이디어에서 영향받았다. [[Hubert Tellenbach|Tellenbach]]은 미각, 후각, 그리고 [[References/Concepts/Atmosphere]]에 관해서 글 *Geschmack und Atmosphäre* (Tellenbach 1968)을 썼다. [[Gernot Böhme|Böhme]]은 여기서 더 나아가 수동적으로 형성되는 [[References/Concepts/Atmosphere]]가 아닌 적극적 형성 즉 production of atmospheres에 더 관심을 가진다. [[Olafur Eliasson]]: [[References/Concepts/Atmosphere]]는 언제나 변화한다 마치 날씨처럼, 이것은 productive, active agents. 그리고 이게 공간안에 소개되었을때는 becomes reality machine. > If you talk about an atmosphere in public space, you can describe it as the coming together of numerous trajectories, the coming together of materials, of intentions, the buildings; it’s a hovering, a resonance. (93) 최근의 [[References/Concepts/Atmosphere]]의 대화에서는 ethic과 aethetic이 분리되어있지만 퍼블릭을 이야기할때 intentionality를 빼고 이야기할 수 없다. Embody an ethical stance [The mediated motion (2001)](https://olafureliasson.net/archive/exhibition/EXH101073/the-mediated-motion) → non-normative capacity of the intervention ([[Christian Borch]]) > And when walking through a building, I can actually elaborate on the construct of time to understand where I am in the building with regard to how I experience it temporally. […] psychologically capable of negotiating myself, my feeling of passage or sequence ([[Olafur Eliasson]]: 96) ← 이거야 말로 바로 [[Sergei Eisenstein|Eisenstein]]이 말한 ambulatory viewer. [[Gernot Böhme]]: spaces with a mood or emotionally felt space = [[References/Concepts/Atmosphere]], 예를 들어 날씨. 문학적 혹은 시적 표현에서 예시를 찾을 수 있다. ## Annotation ### Related ```dataview LIST FROM [[@borch_introduction_2014]] and -"Plans" and -"resources" ```