# Giuliana Bruno (2020). *Surface Tension, Screen Space*. : Amsterdam University Press. Type:: [[&]] Title:: Surface Tension, Screen Space Author(s): [[Authors/Giuliana Bruno]] Year:: 2020 Tags:: DOI:: 10.2307/j.ctv12pnt9c Citekey:: saether_surface_2020-1 ZoteroURI:: [Open in Zotero: Surface Tension, Screen Space](zotero://select/items/@saether_surface_2020-1) ReviewedDate:: [[2022-06-16 17:54]] --- ## Citation ```latex [@saether_surface_2020-1] ``` ## Summary - 어떻게 물질적 관계가 표면위에서 나타날 수 있는가에 대한 질문 - **I propose to approach materiality as a surface condition.** [[Lucretius]]에게 이미지는 thing, configured like a piece of cloth, flies out into the air. “material of an image manifests itself on the surface.” (Bruno, 2020, p. 35) “In this way, as the Epicurean philosopher and poet suggests to us, something important is shown: the material of an image manifests itself on the surface.” (Bruno, 2020, p. 3)” (Bruno, 2020, p. 35-6) > “Most important, I contend that materiality is not a question of the materials themselves but rather concerns the substance of material relations” (Bruno, 2020, p. 36) > “I propose in approaching materiality as a surface condition” (Bruno, 2020, p. 36) […] “Understood as the material configuration of the relationship between subjects and with objects” (Bruno, 2020, p. 36) 그녀가 주장하고 싶은 가장 중심적인 문장은 이게 아닐까 싶다. > “materiality manifests itself in projection, in the surface tension of media” (Bruno, 2020, p. 37) > “This investigation of screen cultures thus concerns the archaeology of media as well as their shifting geographies.” (Bruno, 2020, p. 38) > "저는 특히 서로 다른 '화면'에 빛을 비추어 결합되는 물성의 유희와 형상을 벗어난 화면의 실제 물질적 구조에 대한 이론화를 제공하는 데 관심이 있습니다." > > “I am particularly interested in the play of materiality that is brought together in light on different ‘screens’, and in offering a theorization of the actual material fabric of the screen, outside of figuration.” (Bruno, 2020, p. 38) > “This geography of exhibition suggests that cinema is a variegated landscape, for there is a historical variety of moving-image exhibition in space. 우주에는 역사적으로 다양한 영상 전시가 존재하기 때문에 이러한 전시의 지리학은 영화가 다양한 풍경이라는 것을 시사합니다.” (Bruno, 2020, p. 38) ==archeology는 생략== “while highlighting texture and materiality, surface, and light. Projection is indeed a space of relations, and it is becoming an actual environment” (Bruno, 2020, p. 4) > "이 물질적 역사는 스크린이 시각 예술과 공간 예술이 대화하는 크로스오버의 공간이라는 것을 보여줍니다." > > “This material history shows us that the screen is a space of crossovers in which the visual and the spatial arts come into dialogue.” (Bruno, 2020, p. 41) [[Vachel Lindsay]]'s The Art of the Moving Picture [-@lindsay_art_2010], 스크린을 건축적 passage and to cross over between interior and exterior world. ## Comments ### Annotation ### Related ```dataview LIST FROM [[@saether_surface_2020-1]] and -"Plans" and -"resources" ```