# Michel Foucault (1980). *Fantasia of the Library*. : Cornell University Press. > [!INFO] > Type:: [[]] > Title:: Fantasia of the Library > Author(s): [[Michel Foucault]] > Year:: 1980 > Tags:: > DOI:: > Citekey:: foucault_fantasia_1980 > ZoteroURI:: [Open in Zotero: Fantasia of the Library](zotero://select/items/@foucault_fantasia_1980) > ReviewedDate:: [[2023-05-21]] ## Citation ```latex [@foucault_fantasia_1980] ``` ## Related ```dataview TABLE file.aliases AS "Title" FROM [[@foucault_fantasia_1980]] and -"Plans" and -"resources" ``` ## Summary - ## Annotation 91 >The imaginary is not formed in opposition to reality as its denial or compensation; it grows among signs, from book to book, in the interstice of repetitions and commentaries; it is born takes shape in the interval between books. It is a phenomenon of the library. > *The Temptation*, however, is linked in a completely serious manner to the vast world of print and develops within the recognisable institution of writing. …but it serves, in actuality, to extend the space that existing books can occupy. - ==결국 영화는 영화로 개별적으로 존재하는게 아니라 extend the space that existing ebooks can occupy. It recovers other books== ## 92 - Flaubert produced the first literary work whose exclusive domain is that of books: - They both — Flaubert and Manet — produced works in a self-conscious relationship to earlier paintings or texts—or rather to the aspect in painting or writing hat remains indefinitely open. They erect their art within the archive. - [ ] ==추가 리딩 ➡︎ Michel Foucault, [[@foucault_archaeology_2013]], p. 126-31== - ==하지만 만약 과거의 아트를 생각하면서 그안에 담고자 했다면, 저 이후에 만들어진 아트는 모두 아카이브가 아닌가? 혹은 fragmented art pieces.== ### Related ```dataview LIST FROM [[@foucault_fantasia_1980]] and -"Plans" and -"resources" ```