## Tonino Griffero, Marco Tedeschini (2019). *Introduction*. Switzerland: Palgrave Macmillan. > [!INFO] > Type:: [[&]] > Title:: Introduction > Author(s): [[References/Authors/Tonino Griffero]], [[Authors/Marco Tedeschini]] > Year:: 2019 > Tags:: > DOI:: 10.1007/978-3-030-24942-7 > Citekey:: griffero_introduction_2019 > ZoteroURI:: [Open in Zotero: Introduction](zotero://select/items/@griffero_introduction_2019) > ReviewedDate:: [[2022-11-05]] ## Citation ```latex [@griffero_introduction_2019] ``` ## Related ```dataview TABLE file.aliases AS "Title" FROM [[@griffero_introduction_2019]] and -"Plans" and -"resources" ``` ## Summary - ## Annotation (05/11/2022, 11:05:21) “Nowadays, aesthetics is no longer only a theory of art, it but has recovered its original vocation: to be a general theory of perception (from Baumgarten’s baptism in 1750) conceived of as an ordinary experience of pre-logical character.” (Griffero and Tedeschini, 2019, p. 1) “our sensorial and felt-bodily perception” (Griffero and Tedeschini, 2019, p. 1) “in order to make sense of such pre-logical experience of the world” (Griffero and Tedeschini, 2019, p. 1) “Speaking of “atmosphere” does not simply mean focusing on human emotions. Indeed, “atmosphere” also implies a certain affective quality of (lived and non-geometrical) space.” (Griffero and Tedeschini, 2019, p. 2) “that involves one’s body conceived of more as felt ([[Leib]]) than as physical ([[Körper]])” (Griffero and Tedeschini, 2019, p. 2) “we can describe only from our !rst-person perspectives.” (Griffero and Tedeschini, 2019, p. 2) “the concept of “atmosphere” suggests that our affective life goes beyond the interior and subjective one.” (Griffero and Tedeschini, 2019, p. 2) “Griffero notices that the humanities use the notion of atmosphere as a heuristic device to empirically research affects whenever it is necessary to pay attention to the vague and qualitative “something-” (Griffero and Tedeschini, 2019, p. 2) “more” that one experiences.” (Griffero and Tedeschini, 2019, p. 3) “Hermann Schmitz’s “Atmospheric Spaces” offers a short history of the concept of space, from which he derives a differentiation of spaces.” (Griffero and Tedeschini, 2019, p. 3) “the felt body as the object that lives “in” and “through” the spaces.” (Griffero and Tedeschini, 2019, p. 3) “While basic moods are rooted in a personal situation, atmospheres often affect the individual from spatial and social environments.” (Griffero and Tedeschini, 2019, p. 3) “The threshold from which an atmosphere becomes a mood corresponds to the power of a feeling that generates subjective involvement.” (Griffero and Tedeschini, 2019, p. 3) “By “atmosphere”, the author refers to a diffuse ineffability that regularly attaches itself to particular things, situations, spaces, and environments.” (Griffero and Tedeschini, 2019, p. 4) “Gernot Böhme brie"y retraces the origin of the term “atmosphere” in meteorological terminology and observes that since Goethe’s Age it has been metaphorically used in all European languages.” (Griffero and Tedeschini, 2019, p. 6) “Tadashi Ogawa devotes a chapter, Atmosphere and Renga” (Griffero and Tedeschini, 2019, p. 7) “It shows that poetry is not only centred on the “singing” subject, but it is also a collective way of creating poetry in the same place.” (Griffero and Tedeschini, 2019, p. 7) “the common root between philosophy and poetry—that is, an interest in the world and human beings.” (Griffero and Tedeschini, 2019, p. 7) ### Related ```dataview LIST FROM [[@griffero_introduction_2019]] and -"Plans" and -"resources" ```