# (2008) *Still Moving: Between Cinema and Photography*. : . > [!INFO] > Type:: [[]] > Title:: Still Moving: Between Cinema and Photography > Author(s): [[]] > Year:: 2008 > Tags:: > DOI:: > Citekey:: karen_beckman_still_2008 > ZoteroURI:: [Open in Zotero: Still Moving: Between Cinema and Photography](zotero://select/items/@karen_beckman_still_2008) > ReviewedDate:: [[2024-05-11]] > Related Note: 202405181217 ## Citation ```latex [@karen_beckman_still_2008] ``` ## Summary ## Annotation P104 …the issue of medium specificity has become a central concern for scholars in the field of cinema studies (in response to new media), and in the field of art history (in contention with the ubiquity of film, video, and the projected image in contemporary art practice). 풀리지 않은 미디엄을 오브젝트로 다루는 학문에서의 문제점은 그들이 각각의 disciplinary appellation을 제대로 standardized하지 못했다는 데 있다. 게다가 가장 근본적인 학문인 사진과 시네마에서 그들의 방향이 하이브리드로 가고 있다는 점이 medium specific의 접근의 무리를 가져오기도 한다. (overlap되기에) > **…yet it is undeniable that we write at a moment when scholars of art history and cinema studies have more in common than ever before**: art history departments hire film scholars; graduate students in visual studies and fine arts programs study cinema and art in relation to one another; art journals frequently devote special issues to film-related questions, just as film journals publish articles on artists working with film and video. (112) > We certainly intend this volume as an extension of the discussions of medium specificity that have emerged in the wake of G. E. Lessing, Clement Greenberg, Michael Fried, Hal Foster, Rosalind Krauss and others, but our interest here lies less in rehearsing debates that are either already familiar or easily available to our readers than in trying to map out strategies for analyzing and understanding emerging practices and problems at the intersection of cinema and art. (158) Recent exhibitions - “Projections: Les transports de l’image” (Studio national des arts contemporains, Tourcoing, France, 1997–98); - ”Into the Light: The Projected Image in Contemporary Art” (Whitney Museum of American Art, 2001); - “Future Cinema: The Cinematic Imaginary after Film” (MIT, 2003) addressing in particular the intersections between pre-cinema and new media; “Slide Show: Projected Images in Contemporary Art” (Maryland Institute of Art, 2005); and “States of the Image: ### Related ```dataview LIST FROM [[@karen_beckman_still_2008]] and -"Plans" and -"resources" ```