# (2014) *Retracing the Expanded Field: Encounters Between Art and Architecture*. : The MIT Press. > [!INFO] > Type:: [[]] > Title:: Retracing the Expanded Field: Encounters Between Art and Architecture > Author(s): [[]] > Year:: 2014 > Tags:: > DOI:: > Citekey:: papapetros_retracing_2014 > ZoteroURI:: [Open in Zotero: Retracing the Expanded Field: Encounters Between Art and Architecture](zotero://select/items/@papapetros_retracing_2014) > ReviewedDate:: [[2024-05-11]] > Related Note: 202405181211 ## Citation ```latex [@papapetros_retracing_2014] ``` ## Summary ## Annotation ### Introduction Modernist ➡︎ “_synthesis of the arts_” their postmodern progeny promoted the semblance of pluralist fusion. (vii) p. ix 크라우스의 세개의 글 expanded field, Notes on the index 1, 2 는 여러 아티스트들의 repond를 불러왔는데 - Gordon Matta-Clark 1974 _Splitting_ - ![[Pasted image 20240511121308.png]] - Dan Graham - Robert Smithson 1970 _Partially Buried Woodshed_ - ![[Pasted image 20240511121320.png]] - Robert Morris - Mary Miss 이들의 작업은 architecture, sculpture, landscape, and photography 을 통해서 표현되었다. 하지만 이 가운데 architecture 는 much of it also seemed to contest **architecture’s role in shaping space and establishing structure**. - [!] 마타클락과 스미드슨의 작업 모두 직접적인 건축물에 대한 파괴를 통해 표현된다 p. xii 크라우스에 따르면 ^[Rosalind Krauss,”Architects’ Drawings/Artists’ Buildings,”in Janet Kardon (1980) Drawings: The Pluralist Decade, ed. Janet Kardon (Philadelphia: University of Pennsylvania and Institute of Contemporary Art) 33-34] 아트와 건축과의 움직임은 “parallel and not in opposite directions” 특히 conceptual 쪽으로 흘려가며 physical part of architecture 에서 멀어진다. ### Related ```dataview LIST FROM [[@papapetros_retracing_2014]] and -"Plans" and -"resources" ```