# Paul Virilio (1994) *The Vision Machine*. : Indiana University Press. > [!INFO] > Type:: [[]] > Title:: The Vision Machine > Author(s): [[Paul Virilio]] > Year:: 1994 > Tags:: > DOI:: > Citekey:: virilio_vision_1994 > ZoteroURI:: [Open in Zotero: The Vision Machine](zotero://select/items/@virilio_vision_1994) > ReviewedDate:: [[2024-05-11]] > Related Note: 202405181202 ## Citation ```latex [@virilio_vision_1994] ``` ## Summary ## Annotation ### 64 In other words, the image would flow historically from three logics: 17 1. formal: that of painting, printmaking, architecture, which concludes with the eighteenth century. 2. dialectical: that of photography, of film, and of the film frame during the nineteenth century. 3. paradoxical: that which begins with the invention of video, of the holograph, of cybernetics. At this end of the twentieth century, the accomplishment of modernity seems "marked by the climax of a logic of public representation .... " Also see, [@paini_should_2004-1, 28] ### Related ```dataview LIST FROM [[@virilio_vision_1994]] and -"Plans" and -"resources" ```