# 피터 기달의 물질주의 영화
ref: [[@gidal_materialist_2016]]
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- ‘The subject of the work is not the invisible artist symbolically inferred through the work’s presence, but rather the whole foregrounded fabric of the complex system of markings itself’ ^[_Structural Film Anthology_, ed. by Peter Gidal (London: British Film Institute, 1976), p.7.]
- '작품의 주제는 보이지 않는 예술가가 작품의 존재를 통해 상징적으로 유추되는 것이 아니라, 복잡한 표식 체계 자체의 전체적인 전근본입니다.'
- ‘I would like to make a film that is one and the same time a film in its own right and as explication of the mechanisms of its own making’ ^[_Structural Film Anthology_, ed. by Peter Gidal (London: British Film Institute, 1976), p.1.]