# 202405081240 As much as the dialectical method placed in Eisensteinean montage, the question of oscillation between the deforming or deformed body and unity occupied a crucial position throughout his later work and writing with “constantly fixated with one idea, one theme, one subject […] the realisation of the ultimate goal - the attainment of unity” (Eisenstein, 1995c, p. 792). It is not limited to the art but also in layers of history, art/theory, and artist/viewers, which does not follow a simple sum but achieves a new quality, the organismic, “the quality of the image of movement” (Eisenstein, 2010a, p. 200). ## References