# Methodology - Clearer signposting throughout the thesis. - Input your subjectivity back into how things are framed, and narrativise the thesis – **why did you select these theoretical pillars**, how did things unfold, why are we moving from one topic to the other etc. - Use as direct language as possible, and don’t be afraid to write these parts in first person. In practice this should mean: 해야할 것 - 인트로 다시쓰기 - Rewriting the **introduction** to be more direct and in your own words to - [x] summarise what we’re about to read, - [x] why it is in this form - [ ] and what this all means for your project as a whole. - Input your subjectivity back into how things are framed, and narrativise the thesis – **why did you select these theoretical pillars**, how did things unfold, why are we moving from one topic to the other etc. - 결론 쓰기 - And adding a **conclusion**: what is currently called “conclusion” is actually a full chapter (more on its fate below), and what you need is an actual conclusion – no new information, no new theories or case-studies, just summary and analysis of what’s already been established, and what it means for the project. 각 챕터마다 a couple of paragraphs 인트로 결론에 넣기 - introductions to cover - what we’re about to read and - why, what your key argument in the chapter will be, - how it builds on what’s already been said in previous chapters (where applicable), - 결론 - summarise what’s been said in the chapter, - what it all means for your broader project, - and some kind of bridge to what we’re about to move on to in the following chapter. - 현재 결론은 챕터로 취급할 것 - 들뢰즈 마지막 결론 직전에 작은 섹션 - *situating the term “spatiality”* - what theoretical discourse it arises from - and how you intend to use it throughout the rest of the thesis - (think of the way you successfully did this for the term “atmosphere” in the later chapters) - 에이젠슈테인 결론 직전 작은 섹션 - situating the term “ambulation” - what theoretical discourse it arises from - and how you intend to use it throughout the rest of the thesis - 작업에 관한 a clear record/.document 현재 있는 온라인 링크와 함께, 작성시에 아트워크와 아트워크의 preparatory인지 정확히 명시할 것 - a brief written synopsis (descriptive) - including its precise medium, form, duration, a brief description of subject matter/s - accompanied with a selection of indicative video stills with all captioned - 디스크립션 설명에 정확히 명시할 것 - the weblink would constitute the access to an artwork - screen grabs would provide documentation of it - a selection of indicative stills would communicate its range of subject matters etc - 만약 작업이 인스톨레이션으로 경험해야하는 것은 the weblink will only provide access to an element of the work - 그러므로 더해서 additional photographic documents and diagrams should be provided to communicate information about how that moving image element exists within the wider installation artwork, and a selection of indicative stills will convey its subject matters etc. - 보이스오버 스크립트도 함께